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For Re:Sound reporters

ISRC codes for
Re:Sound reporting

Filing a Re:Sound music-use report? Resolve your play log's artist + title into the ISRC, album, and record label the tariff asks for — then export a report-ready file in one click.

What it does

From artist + title to a report-ready file

Re:Sound is Canada's neighbouring-rights society — the counterpart to the U.S. SoundExchange. Its music-use reports identify every recording that aired, and that works best when each line carries an ISRC. Most station play logs don't.

SonoVault's Bulk Lookup closes that gap. Paste a list of tracks with just the artist and title, resolve them against a catalog of 90M+ recordings, and download a file with Artist, Title, Album, Label, and ISRC for every track — ready to map onto your Re:Sound report.

Open Bulk Lookup

Resolve your play log in the Bulk Lookup tool in your SonoVault dashboard. A free account includes 1,000 lookups a month — no credit card needed.

Background

🇨🇦 What Re:Sound needs from your report

Re:Sound collects the “equitable remuneration” owed to performers and to the makers of sound recordings when their recordings are broadcast or publicly performed in Canada. It is the organization authorized under the Copyright Act to collect these neighbouring-rights royalties, and it is separate from SOCAN, which collects the songwriting (composition) royalties — so a broadcaster typically reports to both.

Re:Sound's rates are set by tariffs approved by the Copyright Board of Canada. Under the Commercial Radio tariff, stations file detailed electronic music-use reports with a separate field for each recording played — and those fields explicitly include the ISRC, alongside the recording title, performer(s), record label, and album. The ISRC is what ties a reported play to one exact recording so the right performers and label are paid; artist and title alone are ambiguous.

The gap most reporters hit: radio automation and playout exports usually log only artist, title, and a timestamp — rarely the ISRC, record label, album, or catalogue/UPC the Re:Sound tariff asks for. That's the gap this tool fills.

Step by step

How it works

  1. 1

    Paste your artist + title list

    Drop in a column of tracks — a station play log, a setlist, or a catalog export — one per line, up to 1,000. Or import a CSV and map the Artist and Title columns.

  2. 2

    Resolve to ISRC + label

    Press Resolve. Each line is matched to a canonical recording and its ISRC, album, and record label — the fields a usage report relies on to identify a recording.

  3. 3

    Download the enriched file

    Export a CSV with Artist, Title, Album, Label, and ISRC for every track, then map those columns to the format your society's report expects.

The export

What SonoVault adds to each track

One row per track, enriched with the recording identifier and clean release data your report needs.

ArtistThe featured artist, cleaned to its canonical spelling.
TitleThe recording's title, normalised against the catalog.
AlbumThe release the recording appears on.
LabelThe record label that released the recording.
ISRCThe 12-character recording code, upper-cased — the reliable recording identifier.
How a recording is identified

ISRC, plus clean metadata

Re:Sound's music-use report names the ISRC as a field for each recording, backed by the performer, recording title, record label, and album. SonoVault returns all of it.

ISRCPrimary

One 12-character code that names the exact recording — the studio cut, the radio edit, the remaster all have their own. It is the cleanest, highest-match way to tie a reported play to the right recording.

Artist · Title · Album · LabelSupporting

Clean, canonical release data corroborates the match and stands in when an ISRC is unavailable. SonoVault returns all of it, normalised against a 90M-recording catalog.

Who it's for

Common uses

Commercial radio music-use report

The Commercial Radio tariff wants a field per recording — including the ISRC. Resolve your play log once and export the identifiers the report asks for.

Webcaster / streaming reporting

Non-interactive and semi-interactive webcasters report the recordings they stream. Turn an artist + title log into a file with ISRC, label, and album attached.

Clean up a messy playout log

Free-text artist and title strings from your automation system, resolved to canonical recordings with their ISRC and release data.

Fill missing ISRCs

Older or third-party recordings without ISRCs on file, matched against a 90M-recording catalog to recover the codes.

Other societies

SonoVault supplies the ISRC and metadata for these reporting flows too.

FAQ

Frequently asked questions

Re:Sound distributes neighbouring-rights royalties to performers and record companies, and it can only pay the right ones if it can identify the exact recording that aired. The ISRC names one specific recording anywhere it's played, which is why the Commercial Radio tariff's music-use report includes an ISRC field for each recording. When your play log carries artist and title but no ISRC, matching is slower and more likely to miss.
Yes. Paste a list of artist + title pairs (or import a CSV) into SonoVault's Bulk Lookup, resolve them, and each line comes back with its ISRC, album, and record label. Every version of a song — radio edit, remaster, reissue — has its own ISRC, so the match is made against the specific recording, not just the song name.
Under the Commercial Radio tariff, stations file electronic music-use reports with a separate field for each data element per play — including the ISRC, recording title, performer(s), record label, album, and catalogue/UPC. SonoVault supplies the recording identifiers and release data; confirm the exact current fields, format, and deadlines with Re:Sound, as tariffs are periodically updated by the Copyright Board of Canada.
No. Re:Sound collects neighbouring rights in the sound recording (paying performers and labels); SOCAN collects performing rights in the musical work (paying songwriters and publishers). They're separate royalties, so a broadcaster typically reports to and pays both. SonoVault helps with the recording-identification side that Re:Sound's reports rely on.
No. SonoVault is an independent music metadata service and is not affiliated with, endorsed by, or connected to Re:Sound. We provide the ISRC, label, and release data and a convenient export; you are responsible for your own membership, licences, and reporting, and for confirming Re:Sound's current requirements.

Enrich your report free

A free SonoVault account includes 1,000 lookups a month. Paste your artist + title list, resolve it to ISRC, album, and label, and export the file — no credit card, no code.

Not affiliated with Re:Sound. SonoVault is an independent music metadata service and is not affiliated with, endorsed by, or connected to Re:Sound Music Licensing Company (Ré:Sonne). We supply ISRC, label, and release data; you are responsible for your own membership, licences, and reporting, and for confirming Re:Sound's current requirements. Always verify data before you submit it. Official sources: Re:Sound — What We Do · Copyright Board of Canada — Re:Sound tariff.